Feist sophie calle biography

Siglio PressUS

  • SUITE VÉNITIENNE

  • Retrospektive

    10 Sep – 13 Dec 2004

  • Un Certain Regard

    8 Jun – 25 Aug 2019

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Solo exhibitions of Sophie Calle

Group exhibitions of Sophie Calle

Sophie Calle: Public Relations

It’s often presumed that privacy is a myth in our technologically enmeshed world. Yet it’s a testament to the reverse that artist Sophie Calle, after more than 25 years of stealing strangers’ phone books (L’Homme au carnet), photographing hotel visitors’ underwear (L’Hôtel) and stalking strange men through Europe (Suite vénitienne), still manages to find uncomfortable aspects of the private—often in her own life—and expose them through art in unique and provocative ways.

Now the DHC/ART Foundation offers a peek at Calle’s latest with the North American premiere of “Prenez soin de vous,” a major exhibition that debuted to good reviews at last year’s Venice Biennale.

Taking its title from a breakup email penned by Calle’s ex-boyfriend, “Prenez soin de vous” reflects the oft-morbid intensities of romantic obsession at the same time as it deconstructs power dynamics in sexual relationships. This dual effect is accomplished via Calle’s documentation of 107 women’s reactions to and analyses of that breakup email. The women Calle taps for f

Autobiography and Self-Portraiture in the works of Christian Boltanski and Sophie Calle , PhD, University of Essex, 2011.

Sophie Calle. I posit that their works exist outside the traditionally understood boundaries of self-portraiture through their use of fact and fiction, as well as personal mythology, often hindering scholars in applying the term in descriptions of Calle's and Boltanski's work. I expand upon the scholarship of their work by applying recent theories of literary self-portraiture and autobiography. Literary theory defines 'self-portraiture' as a metaphorical means of representing oneself, the resulting works being situated outside the boundaries of autobiography.

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